Written by Paco Plaza & Luiso Berdejo
Directed by Paco Plaza
Along with co-director Jaume
Balaguero, Paco Plaza breathed fresh life into zombie cinema and
mastered the found footage style of horror with the first two
installments of the [REC] franchise. Flying solo this time, Plaza
delivers a wildly outside the box experience with Genesis. Rather
than travel the well worn sequel route, Plazo delivers a side story
with the events of the film running concurrently with the original
two (there's a nod to [REC] and [Rec] 2 via television monitor in
one scene). While hilarious and entertaining, there's grumbling
amongst horror aficionados that Plaza failed to deliver the film they
expected.
Those
people are morons.
REC
3 kicks off by celebrating the marriage of earth shatteringly
beautiful couple Clara (Leita Dolera) and Koldo (Diego Martin). Using
a similar handheld style as the first two installments, Plaza focuses
on the revelers congratulating the couple and having a merry time in
the opulent reception hall. Trouble lurks on the fringe in the form
of a beloved uncle showing off a dog bite he suffered earlier. Every
now and again the camera cuts to him looking worse for wear, though
his condition is written off as having boozed it up a bit too much.
When the uncle tumbles off the balcony and crash lands through a
table, the celebration screeches to a halt. When he follows up that
act by ripping out a chunk of his wife's throat with his teeth while
more infected crash through the windows and begin attacking the
guests, chaos breaks out and the newlyweds find themselves separated
from one another.
At
this point [REC] drops the verite style (in a nifty visual stunt
Plaza shows the smashed camera's recording light blink out of
existence) by smashing to a title card which is accompanied by a
bombastic score well suited for a horror film. In its last hour,
Genesis eschews the
style that made it famous in favor of a traditional narrative. Yet
this isn't even the most controversial change.
REC
3 forgoes the claustrophobic, pants crapping horror of the first two
films and takes on a wicked comedic bent for this go round. It plays
like a spoof of the traditional zombie film while still delivering
splatter and ballsy kills. The humor works terrific here, both in the
big, over the top moments as well as the smaller character segues and
gags. A little bit concerning a hearing aid gave me one of the
biggest laughs I've had in a long time. While some are cursing at the
thought of Plaza stifling giggles behind the camera by biting down on
the inside of his cheek, I have to commend him for the new tone and
direction. REC 3 should draw comparisons to Dead Alive and
Evil Dead 2 in that it
tosses such a ridiculous level of carnage on screen, and does so by
often unconventional means you can't help but find the funny in it
all.
Removing
the action from the cramped quarters and using a more traditional
structure also allows Plaza to show off his visual chops. Genesis
takes full advantage of its lush
surroundings. Plazo's film contains a bevy of stunning visuals set
against the absolutely gorgeous backdrop of what must be the world's
largest reception hall. Though Plaza drops the reality angle, Plaza
occasionally employs security footage during the more harrowing
moments. There's a frantic scene where a pair of guests attempt to
herd a group of children out on a bus while the infected close in
that plays all the better for its choppy black and white footage.
The
story revolves around to the two lovers trying to reconnect with one
another amidst the chaos. Both Martin and Doleria deliver phenomenal
performances as Koldo and Clara. It's clear that Plaza wanted an
Ashley Williams to call his very own, and Doleria gives him an
icon-making performance as the pissed off and harangued bride. While
it doesn't hurt that Ms. Doleria is one of the most striking and
lovely women you'll see grace any screen this year, she's every bit
as capable of delivering ass kickings as needed. Wild eyed and pissed
off that her perfect day has gone straight down the crapper, she
manages to wield a chainsaw with manic precision while delivering
perfect round house kicks capable of cracking skulls. By contrast her
husband Koldo is a bit more subdued in his methods, yet the sight of
him skulking the facility in a suit of armor is one of the more
inspiring visuals of the year.
The fantastic chemistry of its leads allows their journey back to one another
shifts from humorous, to surprisingly sweet to gut wrenching. It's
rare that any horror gives you a moment as sweet as the wedding party
joining with Koldo to serenade his new bride moments after the
nuptials. Genesis provides
a pair of characters to openly root for and care about in such a way
and Plaza along with his leads deserve massive credit for this
accomplishment.
[REC]
3 also manages to give audiences a handful of memorable ancillary
characters. From a sad sack whose job is to record what songs are
played for royalty payouts, an enthusiastic wedding videographer or
children's entertainer Sponge John (for copyright purposes), the film
gives these bit roles brief moments to shine then dispatches them in
visceral ways.
I
didn't think another film could knock Cabin In The Woods
off the “year's best” perch
but damned if REC 3 isn't close. I have to wonder if the folks giving
it a ton of flack for its change in tone have Evil Dead 2
side by side with Raimi's original film on their DVD shelf. One has
to wonder if Raimi's most beloved genre film would receive the same
reception today in an era where every aspect of a movie is dissected
months before it even sees the light of day. The majority of the
criticism I've read focuses on the fact that the film is different
from the others, as if the only way to continue is to regurgitate the
same formula over and over. Plaza's affection for the ED2
is evident throughout (a point driven home in a scene during the last
few minutes). Even if you missed the first two installments, Genesis
is such a different animal it
can be enjoyed on its own merits.
[REC] 3 Genesis is now available through various video on demand outlets such as Amazon and iTunes. the films receives a limited theatrical run beginning September 7th.



One of my tops of the year, hands down. So much ridiculous, unexpected fun. The Spongebob and royalty tabulating guys and their running gags were hilarious.
ReplyDeleteWhat was also brilliant is that it also gave more nuggets that expanded upon the mythology which was blown wide open in part 2.