Whenever someone tells you they’d like to talk about women
making horror movies, but there just aren’t any of them out there, prepare
yourself with some ammunition then kindly tell them how full of shit they are
(again, tell them in a kind, gentle and supportive way). In the past we’ve sung
the praises of Jen & Sylvia Soska (Dead Hooker in a Trunk), Maude Michaud (Bloody Breasts, Red), Lis Fies (The Commune), Barbara Stepansky (Fugue) and Devi Snively (Death in Charge) among others. Well
in celebration of my twenty month old learning to count to four, here’s another
round of talented women to add to your list:
Julie Ufema Ms. Ufema’s directorial debut Caveat is a nifty little thriller about
a five sisters reunited for their father’s funeral. The film’s strength lies in
the cast’s ability to go at one another’s jugular and its clear Ufema
encouraged her talent to hold nothing back when it came to spilling out year’s
worth of back story and hurts onto the screen. While Caveat falls more into thriller rather than horror territory, the
mean spirited, anti-sisterhood inspired exchanges between the women makes for
some uncomfortable, squirm inducing moments. Her follow up, Pointless , reunites much of the same cast, and looks to blend
hard-boiled noir with science fiction. The film is currently in
post-production. Boston area folks can check out Caveat at the Stiletto Film Fest Saturday February 25th.
Ashleigh Nicols After
serving a variety of roles on various film and television crews Ms. Nicols
stepped behind the camera for her hilarious short Summer of the Zombies. The film managed to skewer hipster culture and
tweak the expectations of your typical zom-com fare while providing a little
romance all in fewer than fifteen minutes. Nicols is one of the first people in
a long while to not take at face value that all zombies subsist on a diet of
brains and the film gets high marks for originality-something lacking in most
zombie flicks.
Karen Lam While I’ve
yet to see Ms. Lam’s feature film Stained,
the strength of her short Doll Parts warrants
inclusion on this list. While there’s been a number of good short films
centered on women turning the table on a stalker/serial killer; most play for
laughs rather than scares. Doll Parts
ratchets up the supernatural factor and Ms. Lam does terrific work handling the
special effects involved with bringing a doll woman back to unlife as it were.
It’s one that will get under your skin and stay there long after the credits
roll.
Elise Robertson
As Chris pointed out in his review; the skilled hand of Robertson gave Donner
Pass a boost above otherwise standard slasher fare. When the script called for
a second carload of victims that could have been labeled “Douche Bag Victims Nos.
four through eight” it could have been high time to click the “off” button. However, Robertson showed she understands the
genre she had not worked in prior, kicking things off with a gangbusters
flashback sequence depicting the gruesome events of the Donner Party and a
fantastic hot tub sequence where our killer comes rushing into frame from far
off in the background. Touches like this lifted the film above standard direct
to video fare and makes me wonder what she can do with an A level script.
As talented as these ladies are, they represent a small number of the many kick ass ladies working to bring horror into your local theater and home. do yourself a favor and check out their work pronto.


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